東京画廊＋BTAP荣幸宣布将于2023年9月16日举办“新朦胧主义系列展：场”。本次展览是继2013年以来，東京画廊＋BTAP主办的第十二场新朦胧主义系列展。
新朦胧主义源于二十世纪初日本的朦胧体绘画，2013年由東京画廊＋BTAP总监田畑幸人，日本批评家峯村敏明，艺术家王舒野共同发起，旨在从新的艺术语境中发掘更具东方美学特征的作品，寻找一种兼具人性，神性与自然性的东方质感。近十年来，在来自中国、日本和韩国的9位理论家和策展人田畑幸人、峯村敏明、王舒野、鲁晓波、皮道坚、夏可君、金福基、Kate Lim、魏祥奇的支持下，新朦胧主义展览先后在東京画廊+BTAP、798艺术工厂、红专厂当代艺术馆、清华大学美术学院、湖州市美术馆举办了展览，共推出了来自中国、日本、韩国、美国、德国、巴基斯坦的70余位艺术家的作品，在中央美术学院美术馆、清华大学美术学院美术馆等举办了5场学术性研讨会。
本次新朦胧主义系列展特邀姚君担纲策展人，相较历届新朦胧主义系列展，本次姚君根据参展作品将空间重新设计，作品与空间形成更统一的场域。东方哲学是“由物及心”，又“由心至物”的，心物相契间萌生感动。在心物之间推演、伸展、衍化，从而唤起无限的弦外之音，画外之意，象外之境，成为一种特有的场，或者说是一种境界，这是心和天地万物之间产生的感应观照。也是东方艺术最重要的品质，艺术家必然要澄怀观照，使心灵深处光明昭然，赤裸裸、光灿灿。如“万里无云万里天”的本然明空，才能进入心物从容的境地，从而洞见内心的无限，超越一切的时空、因果，透见无我的永恒。此刻，艺术是一场超验的活动，在有限的形象中，展开一次次无限的探究。个体之心，物我万象，晃晃然如空如虚，这是一种本体穷究后的审美人生和审美喜悦。
本次展览以“场”为名，可以看成这是中国艺术家自心与“天地精神独往来”的一次自觉与观照。在本次参展艺术家朱建忠、王舒野、叶剑青、田卫、蒋非默的作品中都各自流露出“天地并与，神明往与”的审美内涵与生命气象。从他们的艺术实践看，美的法则，就是心的法则。澄观一心而腾踔万象，它最终“不即不离”的指引着我们——回归自我，过去、现在和未来！
本次展览将持续到10月21日，届时欢迎您莅临参观。
Tokyo Gallery + BTAP is honored to announce that it will hold the exhibition “Part of Neo-Mōrōism exhibition series: Field” on September 16, 2023. This is the twelfth exhibition in the series of Neo-Mōrōism themed exhibition hosted by Tokyo Gallery + BTAP since 2013.
Neo-Mōrōism originated from Japanese misty paintings in the early 20th century. In 2013, it was co-initiated by Yukito Tabata, director of Tokyo Gallery + BTAP, Japanese critic Toshiaki Minemura, and artist Wang Shuye, aiming to discover more oriental aesthetic characteristics from a new artistic context. The works are looking for an oriental texture that combines humanity, divinity and nature. Over the past ten years, with the support of nine theorists and curators hailing from China, Japand and South-korea, namely Yukito Tabata, Toshiaki Minemura, Wang Shuye, Lu Xiaobo, Pi Daojian, Xia Kejun, Kim Bok-ki, Kate Lim and Wei Xiangqi. Over the past ten years, a number of exhibitions on Neo-Mōrōism were successively held at Tokyo Gallery +BTAP, 798 Art Factory, the Redtory Museum of Contemporary Art (RMCA), the Academy of Arts & Design, Tsinghua University (AADTHU) and Huzhou Art Museum. This has resulted in the showcasing of works by more than 70 artists from China, Japan, South-Korea, the U.S., Germany and Pakistan, a total of 5 academic symposia in both CAFA Art Museum and the Art Museum of the Academy of Arts & Design, Tsinghua University (AADTHU).
Yao Jun is specially invited to be the curator of this Neo-Mōrōism series exhibition. Compared with the previous Neo-Mōrōism series exhibition, the art works and space form a more unified field as he redesigned the space according to the exhibited works this time. Eastern philosophy is "from things to mind", and "from heart to things", and the relationship between mind and matter is moved. Deduce, stretch, and evolve between mind and matter, so as to evoke infinite sounds outside the strings, meanings outside the picture, and realms beyond the image, becoming a unique field, or a state, which is produced between the heart and the world. Inductive observation. It is also the most important quality of oriental art. Artists must contemplate with clarity, so that the depths of the soul are bright, naked, and radiant. Such as the original clear sky of "a cloudless sky for thousands of miles", you can enter the calm state of mind and matter, so that you can see the infinity in your heart, transcend all time, space, cause and effect, and see eternity without self. At this moment, art is a transcendental activity, where infinite explorations are carried out in a limited image. The mind of an individual, everything and everything, is as empty as nothing. This is a kind of aesthetic life and aesthetic joy after a thorough study of the ontology.
This exhibition — entitled ‘Field’ — can be seen as a kind of introspection and observation undertaken by Chinese artists, a veritable to-and-fro between their individual minds and the universal spirit. The works on show by artists Wang Shuye, Zhu Jianzhong, Ye Jianqing, Tian Wei and Jiang Feimo all reveal aesthetic connotations and an ambiance of life in which ‘heaven and earth are united, as are the deities.’ Their artistic practice shows us that the rules that govern beauty are the same ones that govern the mind. By sagaciously examining the mind, one can rise above all things in existence. In the end, this approach discreetly guides us in our return to the self, the past, the present and the future!
The exhibition will last until October 21st and you are cordially invited to visit the exhibition.
